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Hamlet after Deconstruction

BuchGebunden
237 Seiten
Englisch
Springererschienen am30.10.20221st ed. 2022
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance.mehr
Verfügbare Formate
BuchGebunden
EUR106,99
BuchKartoniert, Paperback
EUR106,99
E-BookPDF1 - PDF WatermarkE-Book
EUR96,29

Produkt

KlappentextPost-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance.
Details
ISBN/GTIN978-3-030-96805-2
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2022
Erscheinungsdatum30.10.2022
Auflage1st ed. 2022
ReiheAdaptation in Theatre and Performance
Seiten237 Seiten
SpracheEnglisch
IllustrationenXI, 237 p. 1 illus.
Artikel-Nr.50428363

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1. Introduction.- Part I. Supplements of Action.- Chapter 2. Supplement.- Chapter 3. Rosencrantz and Guildenstern are Dead, Tom Stoppard.- Chapter 4. Ophelias Zimmer, Alice Birch and Katie Mitchell.- Chapter 5. Fortinbras Gets Drunk, Janusz GÅowacki.- Part II. Différance: Machines and Mixed Realities.- Chapter 6. Différance.- Chapter 7. The Hamletmachine, Heiner Müller.- Chapter 8. Hamlet´s Lunacy, CREW.- Part III. Traces of Hamlet.- Chapter 9. Trace.- Chapter 10. Kitsch Hamlet, Saverio La Ruina.- Chapter 11. Factory, Igor Bauersima.- Chapter 12. Conclusion.mehr

Schlagworte

Autor

Aneta Mancewicz is a Lecturer in Drama and Theatre at Royal Holloway, University of London, UK. Her research focuses on Shakespearean performance, digital technologies, and European theatre. She is the author of Intermedial Shakespeares on European Stages (Palgrave Macmillan, 2014) and Biedny Hamlet [Poor Hamlet] (2010). She also co-edited two collections of essays: Intermedial Performance and Politics in the Public Sphere and Local and Global Myths in Shakespearean Performance, both published by Palgrave Macmillan in 2018. As an associate dramaturg, she supported mixed reality adaptations of Shakespeare, such as CREW's Hamlet (2017 and 2018) and Nexus Studios' The Tempest (2020).