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Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature

BuchKartoniert, Paperback
200 Seiten
Englisch
Springererschienen am07.07.20242023
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce - all published during and influenced by the country´s neoliberal era.mehr
Verfügbare Formate
BuchGebunden
EUR128,39
BuchKartoniert, Paperback
EUR128,39

Produkt

KlappentextVision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce - all published during and influenced by the country´s neoliberal era.
Details
ISBN/GTIN978-3-031-31158-1
ProduktartBuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2024
Erscheinungsdatum07.07.2024
Auflage2023
ReiheStudies in Global Science Fiction
Seiten200 Seiten
SpracheEnglisch
Gewicht281 g
IllustrationenXI, 200 p.
Artikel-Nr.56479339

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1: Introduction: Entering the Screen.- Chapter 2: Where is my Eye?´ Gendered Cyborgs, the Male Gaze, and Lack in La primera calle de la soledad [The First Street of Solitude] and Esferas de visión´ [ Spheres of Vision´] by Gerardo Porcayo .- Chapter 3: Televisual Subjectivities: Mediatic Ultraviolence and Disappearing Bodies in Ruido gris [ Gray Noise ] and Punto cero [Point Zero] by Pepe Rojo.- Chapter 4: Fake Presidents and Fake News: Holograms and Virtual Lenses in Eve Gil´s Virtus and Guillermo Lavín´s Él piensa que algo no encaja [ He Thinks Something is Off ].- Chapter 5: Conclusion: Specular Fictions in the Age of Embodied Internetmehr

Schlagworte

Autor

Stephen C. Tobin is an Assistant Adjunct Professor in the Spanish and Portuguese Department at the University of California, Los Angeles. He teaches literature and film classes on Latin American science fiction, posthumanism, speculative ecocriticism, and organized the 2022 symposium Surviving the Anthropocene: Speculative Fictions from Latin America's Past, Present, and Futures. This is his first monograph.