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Grenze/Granica

Art on the German-Polish Border after 1990
BuchGebunden
266 Seiten
Englisch
Böhlauerschienen am12.02.20241. Edition
This book sets out to analyse for the very first time a selection of works by international contemporary artists that reference the German-Polish border, and to draw attention to artworks created between 1990 and the early 2020s. The projects explored reference narratives of expulsion and the fluid, spectral and aesthetic nature of borders through sensory and somaesthetic perception. They examine the historical shifts of that border from the angle of changing political and societal contexts, lost homelands, expulsion of people and new political orders.The book is the product of research in the field at the German-Polish border, interviews with artists, visits to their studios, and archival work. It employs a transdisciplinary toolbox, combining methods from art history, border (art) studies, migration studies, memory studies, geopoetics, limotrophy and more. The volume questions the double figure of dividing and sharing that finds expression in the German word "eine (Grenze) teilen", which means either to divide or to share a border: separation by a shared border and shared historical experience, regarded from two, often dissimilar perspectives. The study focuses on artistic projects ranging from photography to installation art and artistic methods from mapping to re-enacting, which address the issue of the borderland as a dynamic transition space.mehr

Produkt

KlappentextThis book sets out to analyse for the very first time a selection of works by international contemporary artists that reference the German-Polish border, and to draw attention to artworks created between 1990 and the early 2020s. The projects explored reference narratives of expulsion and the fluid, spectral and aesthetic nature of borders through sensory and somaesthetic perception. They examine the historical shifts of that border from the angle of changing political and societal contexts, lost homelands, expulsion of people and new political orders.The book is the product of research in the field at the German-Polish border, interviews with artists, visits to their studios, and archival work. It employs a transdisciplinary toolbox, combining methods from art history, border (art) studies, migration studies, memory studies, geopoetics, limotrophy and more. The volume questions the double figure of dividing and sharing that finds expression in the German word "eine (Grenze) teilen", which means either to divide or to share a border: separation by a shared border and shared historical experience, regarded from two, often dissimilar perspectives. The study focuses on artistic projects ranging from photography to installation art and artistic methods from mapping to re-enacting, which address the issue of the borderland as a dynamic transition space.
Details
ISBN/GTIN978-3-412-52881-2
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2024
Erscheinungsdatum12.02.2024
Auflage1. Edition
Reihen-Nr.Band 019
Seiten266 Seiten
SpracheEnglisch
Gewicht870 g
Illustrationen102, teils farb. Abb.
Artikel-Nr.55655617
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Inhalt/Kritik

Prolog
The book employs a transdisciplinary toolbox, combining methods from art history, border (art) studies, migration studies, memory studies, geopoetics, limotrophy and more. It questions the double figure of dividing and sharing that finds expression in the German word eine (Grenze) teilen : separation by a shared border and shared historical experience, regarded from two, often dissimilar perspectives. The study features a range of different art forms and artistic methods, which address the issue of the borderland as a dynamic transition space.mehr

Autor

Burcu Dogramaci lehrt Kunstgeschichte an der Ludwig-Maximilians-Universität München und forscht zur Kunst der Moderne und der Gegenwart.Prof. Dr. Habil. MARTA SMOLINSKA lehrt Kunsttheorie, kuratorische Strategien und Kunstgeschichtean der Magdalena-Abakanowicz-Universität der Künste Poznan (Polen).