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Classic-ing on the Australian mainstream stage

The place and phenomenon of classic in Australian mainstream theatre 1995-2016
BuchGebunden
210 Seiten
Englisch
Springererschienen am03.02.20241st ed. 2023
This book evaluates classic drama as an active creation. Close consideration of staging and casting, theatre historical perspectives, and interviews with key artists, expands the concept of classic as a dimension of theatrical and not only of dramatic reception.mehr
Verfügbare Formate
BuchGebunden
EUR117,69
E-BookPDF1 - PDF WatermarkE-Book
EUR106,99

Produkt

KlappentextThis book evaluates classic drama as an active creation. Close consideration of staging and casting, theatre historical perspectives, and interviews with key artists, expands the concept of classic as a dimension of theatrical and not only of dramatic reception.
Details
ISBN/GTIN978-3-662-68174-9
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2024
Erscheinungsdatum03.02.2024
Auflage1st ed. 2023
ReiheSzene & Horizont. Theaterwissenschaftliche Studien
Seiten210 Seiten
SpracheEnglisch
IllustrationenXVII, 210 p. 11 illus., 9 illus. in color.
Artikel-Nr.54635986

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgements.- Introduction: The Concept of the Classic.- The Classic, Postcolonial Resonance and Australia.-  Australian Postcolonial Classic: Shakespeare´s Role-.- An Actor as Classic-er.-  An Unearthed Classic: The Golden Age-.- An Instant Classic: The Secret River-. Conclusion: The Practice of Classic-ing-.- Afterword: Performing Classic in Australia from 1788 to 1994-.- Appendix: Production Historiesmehr

Schlagworte

Autor

Susan McClements Wyss currently works in Switzerland as a writer, translator, and teacher. She completed her PhD in 2023 at the University of Cologne, Germany and Flinders University, South Australia. Susan moved to Switzerland in 2003, where she completed her MA in Theatre Studies at the University of Bern and worked in various independent arts projects. Before this move, Susan had a long career in Melbourne, Australia as an artistic director, actor, and theatre maker, in marketing and sponsorship development and in public arts funding.
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