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International Journal for Digital Art History: Issue 1, 2015

What is Digital Art History?
BuchKartoniert, Paperback
132 Seiten
Englisch
Graphentis Verlag e. K.erschienen am01.09.2015
The Digital Age has revolutionized economy, society and our private lives. For decades now, digitalization has also touched most branches of the humanities. With the rising importance of the so called Digital Humanities, Art History is about to change significantly. Thus, the "International Journal of Digital Art History" (DAH) will give authors in this field the opportunity to reach a wider audience, spark a discussion on the future of our discipline and generate an international and interdisciplinary network of scholars and practitioners.mehr

Produkt

KlappentextThe Digital Age has revolutionized economy, society and our private lives. For decades now, digitalization has also touched most branches of the humanities. With the rising importance of the so called Digital Humanities, Art History is about to change significantly. Thus, the "International Journal of Digital Art History" (DAH) will give authors in this field the opportunity to reach a wider audience, spark a discussion on the future of our discipline and generate an international and interdisciplinary network of scholars and practitioners.
Details
ISBN/GTIN978-3-942819-10-7
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2015
Erscheinungsdatum01.09.2015
ReiheInternational Journal for Digital Art History
Reihen-Nr.1
Seiten132 Seiten
SpracheEnglisch
MasseBreite 190 mm, Höhe 270 mm, Dicke 9 mm
Gewicht334 g
Artikel-Nr.34832846
Rubriken
GenreKunst/Architektur

Autor

Harald Klinke has a Ph.D. in art history and a Master of Science in Information Systems. Currently he is Assistant Professor at the Ludwig Maximilian University, Munich, and member of the Program Committee of the DFG-funded project "The Digital Image". He conducts research on visual communication, digital media, and Big Image Data in art-historical contexts. From 2008 to 2009, he worked as a Lecturer of Visual Studies (Bildwissenschaft) at the Art History Department of the University of Göttingen. From 2009 to 2010, he conducted research, supported by a grant from the German Research Foundation (DFG), as a Visiting Scholar at Columbia University, New York. He has published books on art theory, digital images and digital transformation.