Point of View in the Cinema

A Theory of Narration and Subjectivity in Classical Film

von

Branigan, Edward

BuchGebunden

262 Seiten

Englisch

De Gruytererschienen am01.12.1984

Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.mehr

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KlappentextBranigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Details

ISBN/GTIN978-90-279-3079-8

ProduktartBuch

EinbandartGebunden

Verlag

De Gruyter

Erscheinungsjahr1984

Erscheinungsdatum01.12.1984

ReiheApproaches to Semiotics [AS]

Reihen-Nr.66

Seiten262 Seiten

SpracheEnglisch