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Border-Crossing and Comedy at the Théâtre Italien, 1716-1723

BuchKartoniert, Paperback
264 Seiten
Englisch
Springererschienen am01.04.20221st ed. 2021
How do nationalized stereotypes inform the reception and content of the migrant comedian´s work? Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian´s work-including diplomacy, translation, improvisation, and parody-across time.mehr
Verfügbare Formate
BuchGebunden
EUR139,09
BuchKartoniert, Paperback
EUR139,09

Produkt

KlappentextHow do nationalized stereotypes inform the reception and content of the migrant comedian´s work? Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian´s work-including diplomacy, translation, improvisation, and parody-across time.
Details
ISBN/GTIN978-3-030-70073-7
ProduktartBuch
EinbandartKartoniert, Paperback
Verlag
Erscheinungsjahr2022
Erscheinungsdatum01.04.2022
Auflage1st ed. 2021
ReiheTransnational Theatre Histories
Seiten264 Seiten
SpracheEnglisch
IllustrationenXV, 264 p. 8 illus., 2 illus. in color.
Artikel-Nr.50484975
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1: Italian Cultural Capital on the French Stage.- Chapter 2: Prologues, Meta-Comedy, and Cross-Cultural Rapport.-  Chapter 3: Bilingualism and Translation in Comedy.- Chapter 4: Stereotypes , Self-Deprecation, and Refracted Satire.- Chapter 5: Improvisation, Emotion, and the Italian Brand.- Chapter 6: Parody as Transcultural Critique.mehr

Autor

Matthew McMahan is the Assistant Director of the Center for Comedic Arts at Emerson College, USA, where he teaches the history of comedy, comic prose, sketch, and improvisation comedy. He has also taught acting, directing, and theatre history at a variety of institutions, including Tufts University, Merrimack College, and Dean College. His research interests include the history and practice of commedia dell'arte, French comedy, and clowning. He is also fascinated by the dynamic of internationalism in comedy: how comedy travels and how it is adapted and translated across national borders. His research has been published in Theatre History Studies, The Journal of Dramatic Theory and Criticism, The New England Theatre Journal, and The Texas Theatre Journal.