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BuchGebunden
272 Seiten
Englisch
Böhlauerschienen am12.12.2022
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show - more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain - was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states - the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.mehr
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EUR69,00
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Produkt

KlappentextThe First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show - more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain - was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states - the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
ZusammenfassungThe First Russian Art Exhibition in 1922 caused a remarkable stir in the Western art world.
Details
ISBN/GTIN978-3-412-52564-4
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2022
Erscheinungsdatum12.12.2022
Seiten272 Seiten
SpracheEnglisch
Gewicht1243 g
Illustrationen180, meist farb. Abb.
Artikel-Nr.50543887
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Inhalt/Kritik

Prolog
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show - more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain - was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Besides that, the exhibition was a first cultural step towards bilateral relations between the Weimar Republic and the Russian Soviet Republic.mehr

Schlagworte

Autor

Isabel Wünsche is Professor of Art and Art History at Jacobs University Bremen and an internationally renowned expert on modernism, the avantgarde movements, and abstract art.Miriam Leimer is a free-lance art historian and independent scholar based in Zurich with a research focus on the reception of Russian art in the 19th and 20th centuries.
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